The 2012 annual Sundance Film Festival presents its American and World Cinema Dramatic and Documentary competition queue. 110 theatricals exhibiting, 31 countries, 44 first-time filmmakers, and 26 in competition, each projects to the screen January 19th through January 29th. The Gothams, held prior saw distribution and agent reps expecting a fete cum properties for selection the New Year. Sales are inked typically within opening runs, tapering as the play dates near completion.
“In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking,” Director of the Sundance Film Festival John Cooper says.
“Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.”
88 of the features selected will open as world premieres
Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing?” preempts Robert Redford, President and Founder of Sundance Institute.
“What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.”
The categories queue:
United States Dramatic Competition
The world premieres, feature narratives, 16 films.
Beasts of the Southern Wild | U.S.A.
(Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named “Hushpuppy,” who lives with her daddy at the edge of the world. Cast: Quvenzhané Wallis, Dwight Henry.
The Comedy | U.S.A.
(Director: Rick Alverson, Screenwriters: Rick Alverson, Robert Donne, Colm O’Leary) — Indifferent even to the prospects of inheriting his father’s estate, Swanson whiles away his days with a group of aging Brooklyn hipsters, engaging in small acts of recreational cruelty and pacified boredom. Cast: Tim Heidecker, Eric Wareheim, Kate Lyn Sheil, Alexia Rassmusen, Gregg Turkington.
The End of Love | U.S.A.
(Director and screenwriter: Mark Webber) —A young father unravels following the loss of the mother of his child. Cast: Mark Webber, Shannyn Sossamon, Michael Cera, Jason Ritter, Amanda Seyfried, Frankie Shaw.
Filly Brown | U.S.A.
(Directors: Youssef Delara, Michael D. Olmos, Screenwriter: Youssef Delara) —A Hip-Hop driven drama about a Mexican girl who rises to fame and consciousness as she copes with the incarceration of her mother through music. Cast: Lou Diamond Phillips, Gina Rodriguez, Jenni Rivera, Edward James Olmos.
The First Time | U.S.A.
(Director and screenwriter: Jonathan Kasdan) —Two high-schoolers meet at a party. Over the course of a weekend, things turn magical, romantic, complicated and funny, as they discover what it’s like to fall in love for the first time. Cast: Brittany Robertson, Dylan O’Brien, Craig Roberts, James Frecheville, Victoria Justice.
For Ellen | U.S.A.
(Director and screenwriter: So Yong Kim) — A struggling musician takes an overnight long-distance drive in order to fight his estranged wife for custody of their young daughter. Cast: Paul Dano, Jon Heder, Jena Malone, Margarita Levieva, Shay Mandigo.
Hello I Must Be Going | U.S.A.
(Director: Todd Louiso, Screenwriter: Sarah Koskoff) — DAY ONE FILM. Divorced, childless, demoralized and condemned to move back in with her parents at the age of 35, Amy Minsky’s prospects look bleak – until the unexpected attention of a teenage boy changes everything. Cast: Melanie Lynskey, Blythe Danner, Christopher Abbott, John Rubinstein, Julie White.
Keep the Lights On | U.S.A.
(Director: Ira Sachs, Screenwriters: Ira Sachs, Mauricio Zacharias) —Autobiographically inspired story of a passionate long-term relationship between two men driven by addiction and secrets but bound by love and hopefulness. Cast: Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane, Paprika Steen.
LUV | U.S.A.
(Director: Sheldon Candis, Screenwriters: Sheldon Candis, Justin Wilson) —An orphaned 11-year-old boy is forced to face the unpleasant truth about his beloved uncle during one harrowing day in the streets of Baltimore. Cast: Common, Michael Rainey Jr., Dennis Haysbert, Danny Glover, Charles S. Dutton.
Middle of Nowhere | U.S.A.
(Director and screenwriter: Ava DuVernay) —When her husband is incarcerated, an African-American woman struggles to maintain her marriage and her identity. Cast: Emayatzy Corinealdi, David Oyelowo, Omari Hardwick, Lorraine Touissant, Edwina Findley.
Nobody Walks | U.S.A.
(Director: Ry Russo-Young, Screenwriters: Lena Dunham, Ry Russo-Young) — Martine, a young artist from New York, is invited into the home of a hip, liberal LA family for a week. Her presence unravels the family’s carefully maintained status quo, and a mess of sexual and emotional entanglements ensues. Cast: John Krasinski, Olivia Thirlby, Rosemarie DeWitt, India Ennenga, Justin Kirk.
Safety Not Guaranteed | U.S.A.
(Director: Colin Trevorrow, Screenwriter: Derek Connolly) —A trio of magazine employees investigates a classified ad seeking a partner for time travel. One employee develops feelings for the paranoid but compelling loner and seeks to discover what he’s really up to. Cast: Aubrey Plaza, Mark Duplass, Jake Johnson, Karen Soni.
Save the Date | U.S.A.
(Director: Michael Mohan, Screenwriters: Jeffrey Brown, Egan Reich, Michael Mohan) —As her sister Beth prepares to get married, Sarah finds herself caught up in an intense post-breakup rebound. The two fumble through the redefined emotional landscape of modern day relationships, forced to relearn how to love and be loved. Cast: Lizzy Caplan, Alison Brie, Martin Starr, Geoffrey Arend, Mark Webber.
Simon Killer | France, U.S.A.
(Director and screenwriter: Antonio Campos) — A recent college graduate goes to Paris after breaking up with his girlfriend of 5 years. Once there, he falls in love with a young prostitute and their fateful journey begins. Cast: Brady Corbet, Mati Diop, Constance Rousseau, Michael Abiteboul, Solo.
Smashed | U.S.A.
(Director: James Ponsoldt, Screenwriters: Susan Burke, James Ponsoldt) —Kate and Charlie are a young married couple whose bond is built on a mutual love of music, laughter and… drinking. When Kate decides to get sober, her new lifestyle brings troubling issues to the surface and calls into question her relationship with Charlie. Cast: Mary Elizabeth Winstead, Aaron Paul, Octavia Spencer, Nick Offerman, Megan Mullally.
The Surrogate | U.S.A.
(Director and screenwriter: Ben Lewin) —Mark O’Brien, a 36-year-old poet and journalist with an iron lung, decides he no longer wishes to be a virgin. With the help of his therapist and the guidance of his priest, he contacts a professional sex surrogate to take him on a journey to manhood. Cast: John Hawkes, Helen Hunt, William H. Macy.
United States Documentary Competition
World premieres, 16 American documentary films.
Ai Weiwei: Never Sorry | U.S.A., China
(Director: Alison Klayman) —Renowned Chinese artist and activist Ai Weiwei has garnered international attention as much for his ambitious artwork as his political provocations and increasingly public clashes with the Chinese government.
The Atomic States of America | U.S.A.
(Directors: Don Argott, Sheena M. Joyce) —In 2010, the United States announced construction of the first new nuclear power plant in more than 32 years. A year later, a 9.0 magnitude earthquake struck the Fukushima Power Plant in Japan sparking a fierce debate in the U.S. over the safety and viability of nuclear power.
Chasing Ice | U.S.A.
(Director: Jeff Orlowski) —Science, spectacle and human passion mix in this stunningly cinematic portrait as National Geographic photographer James Balog captures time-lapse photography of glaciers over several years providing tangible visual evidence of climate change.
DETROPIA | U.S.A.
(Directors: Heidi Ewing, Rachel Grady) —The woes of Detroit are emblematic of the collapse of the U.S. manufacturing base. This is the dramatic story of a city and its people who refuse to leave the building, even as the flames are rising.
ESCAPE FIRE: The Fight to Rescue American Healthcare | U.S.A.
(Directors: Matthew Heineman, Susan Froemke) —What can be done to save our broken medical system? Powerful forces are trying to maintain the status quo in a profit-driven medical industry, but a movement to bring innovative methods of prevention and healing is finally gaining ground – potentially saving the health of a nation.
Fiding North | U.S.A.
(Directors: Lori Silverbush, Kristi Jacobson) —A crisis of hunger looms in America and is not limited to the poverty stricken and uneducated. Can a return to policies of the 1970s save our future?
The House I Live In | U.S.A.
(Director: Eugene Jarecki) —For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world’s largest jailer and damaged poor communities at home and abroad. Yet, drugs are cheaper, purer and more available today than ever. Where did we go wrong and what is the path toward healing?
How to Survive a Plague | U.S.A.
(Director: David France) —The untold story of the intensive efforts that turned AIDS into a manageable condition: and the improbable group of (mostly HIV-positive) young men and women whose amazing resilience broke through a time of rampant death and political indifference.
The Invisible War | U.S.A.
(Director: Kirby Dick) —An investigative and powerfully emotional examination of the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence and the profound personal and social consequences that arise from it.
Marina Abramović The Artist is Present | U.S.A.
(Director: Matthew Akers) — Marina Abramović prepares for a major retrospective of her work at The Museum of Modern Art in New York hoping to finally silence four decades of skeptics who proclaim: ‘But why is this art?’
ME at the ZOO | U.S.A.
(Directors: Chris Moukarbel, Valerie Veatch) —With 270 million hits to date, Chris Crocker, an uncanny young video blogger from small town Tennessee, is considered the Internet’s first rebel folk hero and at the same time one of its most controversial personalities.
The Other Dream Team | Lithuania, U.S.A.
(Director: Marius Markevicius) —The 1992 Lithuanian National Basketball Team went from the clutches of Communism to the Summer Olympics in Barcelona – a testament to the powerful role of sports as a catalyst for cultural identity.
The Queen of Versailles | U.S.A.
(Director: Lauren Greenfield) — DAY ONE FILM. Jackie and David were triumphantly constructing the biggest house in America – a sprawling, 90,000-square-foot palace inspired by Versailles – when their timeshare empire collapses and their house is foreclosed. Their rags-to-riches-to-rags story reveals the innate virtues and flaws of the American Dream.
Slavery by Another Name | U.S.A.
(Director: Sam Pollard) —As slavery came to an end with Abraham Lincoln’s Emancipation Proclamation, a new system of involuntary servitude took its place with shocking force, brutalizing, terrorizing and ultimately circumscribing the lives of hundreds of thousands of African Americans well into the 20th century.
Love Free or Die: How the Bishop of New Hampshire is Changing the World | U.S.A. (Director: Macky Alston) — One man whose two defining passions are in conflict: An openly gay bishop refuses to leave the Church or the man he loves.
We’re Not Broke | U.S.A.
(Directors: Karin Hayes, Victoria Bruce) —As American lawmakers slash budgets and lay off employees, leaving many people scrambling to survive, multibillion-dollar corporations are concealing colossal profits overseas to avoid paying U.S. income tax. Fed-up Americans are taking their frustration to the streets.
World Cinema Dramatic Competition
14 films, inventive and up and coming filmmakers.
4 Suns | Czech Republic
(Director and screenwriter: Bohdan Sláma) — World Premiere. Immature Fogi attempts to straighten up and accept his responsibilities as a new husband and father, as well as role model to his troubled son from a previous relationship, but finds himself unable to change his nature, leaving him to watch haplessly as his family begins to crumble. Cast: Jaroslav Plesl, Aňa Geislerová, Karel Roden, Jiří Mádl, Klára Melíšková.
About the Pink Sky | Japan
(Director and screenwriter: Keiichi Kobayashi) — International Premiere. A high school girl finds a wallet full of money and tracks down its owner, leading to unexpected consequences for the girl and her friends. Cast: Ai Ikeda, Ena Koshino, Reiko Fujiwara, Tsubasa Takayama, Hakusyu Togetsuan.
Can | Turkey
(Director and screenwriter: Rasit Celikezer) — World Premiere. A young married couple live happily in Istanbul, but their decision to illegally procure a child threatens their future together. Cast: Selen Ucer, Serdar Orcin, Berkan Demirbag, Erkan Avci.
Father’s Chair (A Cadeira do Pai) | Brazil
(Director: Luciano Moura, Screenwriters: Elena Soarez, Luciano Moura) — World Premiere. Following the trail of his runaway teen son, Theo confronts his own identity as a son, a father and a man along the way. Cast: Wagner Moura, Lima Duarte, Mariana Lima.
L | Greece
(Director: Babis Makridis, Screenwriters: Efthymis Filippou, Babis Makridis) — World Premiere. A man who lives in his car gets caught up in the undeclared war between motorcycle riders and car drivers. Cast: Aris Servetalis, Makis Papadimitriou, Lefteris Mathaios, Nota Tserniafski, Stavros Raptis.
The Last Elvis (El Ultimo Elvis) | Argentina
(Director: Armando Bo, Screenwriters: Nicolás Giacobone and Armando Bo) — World Premiere. A Buenos Aires Elvis impersonator who believes that he is the reincarnation of the King struggles to shake free from reality and live his musical dream. Cast: John McInerny, Griselda Siciliani, Margarita Lopez.
Madrid, 1987 | Spain
(Director and screenwriter: David Trueba) — International Premiere. The balance of power and desire constantly shifts during the meeting of an older journalist and a young student, of two generations completely foreign to one another. Cast: José Sacristán, María Valverde, Ramon Fontserè.
My Brother the Devil | United Kingdom
(Director and screenwriter: Sally El Hosaini) — World Premiere. A pair of British Arab brothers trying to get by in gangland London learns the extraordinary courage it takes to be yourself. Cast: James Floyd, Saïd Taghmaoui, Fady Elsayed.
Teddy Bear | Denmark
(Director: Mads Matthiesen, Screenwriters: Mads Matthiesen, Martin Pieter Zandvliet) — World Premiere. Dennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love. Cast: Kim Kold, Elsebeth Steentoft, Lamaiporn Sangmanee Hougaard, David Winters, Allan Mogensen.
Valley of Saints | India, U.S.A.
(Director and screenwriter: Musa Syeed) — World Premiere. Gulzar plans to run away from the war and poverty surrounding his village in Kashmir with his best friend, but a beautiful young woman researching the dying lake leads him to contemplate a different future. Cast: Gulzar Ahmad Bhat, Mohammed Afzal Sofi, Neelofar Hamid.
Violeta Went to Heaven (Violeta se Fue a Los Cielos) | Chile, Argentina, Brazil, Spain (Director: Andrés Wood, Screenwriters: Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderón, Andrés Wood) — International Premiere. A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes. Cast: Francisca Gavilán, Thomas Durand, Luis Machín, Gabriela Aguilera, Roberto Farías.
Wish You Were Here | Australia
(Director: Kieran Darcy-Smith, Screenwriters: Felicity Price, Kieran Darcy-Smith) — World Premiere, DAY ONE FILM. Four friends embark on a carefree holiday, but only three return home. Who knows what happened on that fateful night? Cast: Joel Edgerton, Teresa Palmer, Felicity Price, Antony Starr.
WRONG | France
(Director and screenwriter: Quentin Dupieux) — World Premiere. Dolph searches for his lost dog, but through encounters with a nympho pizza-delivery girl, a jogging neighbor seeking the absolute, and a mysterious righter of wrongs, he may eventually lose his mind… and his identity. Cast: Jack Plotnick, Eric Judor, Alexis Dziena, Steve Little, William Fichtner.
Young & Wild | Chile
(Director: Marialy Rivas, Screenwriters: Marialy Rivas, Camila Gutiérrez, Pedro Peirano) — World Premiere. 17-year-old Daniela, raised in the bosom of a strict Evangelical family and recently unmasked as a fornicator by her shocked parents, struggles to find her own path to spiritual harmony. Cast: Alicia Rodríguez, Aline Kuppenheim, María Gracia Omegna, Felipe Pinto.
World Cinema Documentary Competition
12 films, extraordinary story telling by filmmakers.
½ REVOLUTION | Denmark
(Directors: Omar Shargawi, Karim El Hakim) — North American Premiere. In January 2011, two filmmakers captured the reality of the Egyptian revolution as it occurred out of view from the world’s media in the alleyways and streets away from the square – and in the process were arrested by the secret police.
5 Broken Cameras | Palestine, Israel, France
(Directors: Emad Burnat, Guy Davidi) — International Premiere. A Palestinian journalist chronicles his village’s resistance to a separation barrier being erected on their land and in the process captures his young son’s lens on the world.
THE AMBASSADOR | Denmark
(Director: Mads Brügger) — North American Premiere. What happens when a very white European man buys his way into being a diplomat in one of Central Africa’s most failed nations? Welcome to the bizarre and hidden world of African diplomacy, where gin and tonics flow and diamond hustlers and corrupt politicians run free.
BIG BOYS GONE BANANAS!* | Sweden
(Director: Fredrik Gertten) — North American Premiere. The behind-the-scenes story of a full-scale attack on freedom of speech. When Dole set its sights on the WG Film production Bananas!* in May 2009, confusion was the method, aggression was the tactic and media control was the story.
China Heavyweight | Canada, China
(Director: Yung Chang) — World Premiere. In central China, where a coach recruits poor rural teenagers and turns them into Western-style boxing champions, the top students face dramatic choices as they graduate – should they fight for the collective good or for themselves? A metaphor for the choices everyone in the New China faces now.
Gypsy Davy | Israel, U.S.A., Spain
(Director: Rachel Leah Jones) — International Premiere. How does a white boy with Alabama roots become a Flamenco guitarist in Andalusian boots? A tale of self-invention and the pursuit of happiness: regardless of the cost to others.
The Imposter | United Kingdom
(Director: Bart Layton) — World Premiere. In 1994 a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later he is found alive thousands of miles away in Spain with a shocking story of kidnap and torture. But all is not what it seems in this tale that is truly stranger than fiction.
Indie Game: The Movie | Canada
(Directors: Lisanne Pajot, James Swirsky) — World Premiere. Follow the dramatic journeys of indie game developers as they create games and release those works, and themselves, to the world.
The Law in These Parts | Israel
(Director: Ra’anan Alexandrowicz) — International Premiere. Israel’s 43-year military legal system in the Occupied Palestinian Territories unfolds through provocative interviews with the system’s architects and historical footage showing the enactment of these laws upon the Palestinian population.
Payback | Canada
(Director: Jennifer Baichwal) — World Premiere. Based on Margaret Atwood’s best-selling book, Payback explores how debt is a central organizing principle in our lives – influencing relationships, societies, governing structures and the very fate of this planet
Putin’s Kiss | Denmark
(Director: Lise Birk Pedersen) — North American Premiere. 19-year-old Marsha is a model spokesperson in a strongly nationalistic Russian youth movement that aims to protect the country from its enemies. When she starts recognizing the organization’s flaws, she must take a stand for or against it.
Searching for Sugar Man | Denmark, United Kingdom
(Director: Malik Bendjelloul) — World Premiere, DAY ONE FILM. Rodriguez was the greatest ‘70s US rock icon who never was. Hailed as the greatest recording artist of his generation he disappeared into oblivion – rising again from the ashes in a completely different context many miles away.
